Aftermath/Interscope

Dr. Dre's first album in 16 years, Compton: A Soundtrackdropped on Thursday night. It's a towering piece of work with spots from Ice CubeSnoop DoggKendrick LamarXzibitEminemJill Scott, Marsha Ambrosius, King Mez, Justus and more. It might also be Dre's last record.

Here's Fuse host Esteban Serrano's take on Compton.

1: Back to the block

People nowadays talk about how they appreciate that you can’t tell where an artist is from because the music has become universal. I disagree. I like that this album sounds like COMPTON. It's what the game has been missing. Everyone’s accents are blending. The swing of the West Coast, the 808s of the South, the boom bap of the East all provided such dope signatures and identities. This album screams West Coast.

INDIO, CA - APRIL 15: Dr. Dre (L) and Snoop Dogg of Dr. Dre & Snoop Dogg perform as part of Day 3 of the 2012 Coachella Valle
Tim Mosenfelder/Getty Images

2: The legends converse with the kids

Dre also mixed the OGs like himself, Snoop, Cube, Xzibit in with the next generation—Kendrick, King Mez, etc. The OGs speak from a very senior standpoint, talking about their current lifestyles and reminding listeners of their legacies, while the newer artists come off hungry and determined to prove themselves. They sound “active,” to use an L.A. gang term.

3: About that subtitle...

This sounds like a MOVIE. The intro, skits, the stories, the voices, even down to how the songs trail off at the end with ambient, environmental sounds all give it such a visual feel. The way the vocals are produced it’s almost like the artists are voice actors on a looping stage voicing over scenes from a hood film.

I thought it was somehow connected to the Straight Outta Compton movie, but this is its own movie. I think, while on set, Dr. Dre was transported back to the mindset he was in when making N.W.A. music in the '80s and '90s, then applied it to the present.

4: Haven't signed up for Apple Music?

I just bought it. $ goes to Compton kids' basketball team or something. 

[Ed. note: All the proceeds from Compton: A Soundtrack will "help fund a new performing arts and entertainment facility in Compton," Rolling Stone wrote. ""I've been really trying to do something special for Compton and just couldn't quite figure out what it was," Dre said on Beats 1. "[Compton mayor Aja Brown] actually had this idea and she was already in the process of working on it. I said, 'Boom, this is what we should do.'"]

KANSAS CITY - JUNE 1989:  Rap group N.W.A. pose with rappers The D.O.C. and Laylaw from Above The Law (L-R standing: Laylaw,
Raymond Boyd

5: N.W.A. lives on

At the core, the music is the same as N.W.A’s signature brand. It’s still political. It’s still aggressive. It’s still expressive. It still has that fantasy/imaginary violence. But it’s produced with all the knowledge and skill Dre acquired over the three decades he’s been working. This time around, he didn’t produce these ideas into songs—he scored these scenes into song.

6: And props where props are due

I also appreciate the nods to Eazy-E throughout. The overall sound and the Bone Thugs sample make E’s presence felt.